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Shabbat Services with Guest Cantor Marshall Portnoy

 Shabbat Services with Guest Cantor Marshall Portnoy

Friday, November 6, 2026

6:00 PM - 7:00 PM

In Person & Online

Location: Pollin Chapel
1972 NW Flanders St.
Portland, OR 97209

Join us for a Cantor Shabbat! Cantor Green, guest Cantor Marshall Portnoy, and our congregational choirs will lead us in prayer on Friday, November 6.

Marshall Portnoy is the Cantor Emeritus of Main Line Reform Temple in Wynnewood, Pennsylvania. He has served two congregations full-time in his career: Congregation Adath Jeshurun in Louisville, Kentucky, from 1971 to 1994; and Main Line Reform Temple from 1994 to 2018. A graduate of Yale, Cantor Portnoy was invested both by the Jewish Theological Seminary and the Hebrew Union College. His two-volume work, The Art of Cantillation, now in its third edition, has for more than twenty-five years brought the skill and the joy of reading Torah and Haftarah to tens of thousands throughout the globe, and regularly remains among the most popular volumes of Behrman House Publications. His musical works are widely performed throughout the United States, and he is the recipient of frequent commissions. Of his CD Songs of Renewal, Debbie Friedman wrote, “Thoughtful and gentle, mindful and kind, this loving soul takes the listener, with every note he sings, to a place of hope and calm.” This is the only CD by another composer for which Debbie Friedman wrote liner notes.

The Marshall Portnoy Anthology was recently published by Transcontinental Music Publications. It contains thirty-four pieces, many familiar but in new arrangements for solo voice and duets (including “Meditation”,“I Still Believe” “God Bless This House” and “Birth is a Beginning”), many previously unpublished (“Reckoning,” “Od Yishama,” and “Miracles”), as well as songs for children (“Our Sukkah is a Little Hut,” “The Four Questions,” “Eitz Yafeh” and many others)..

Cantor Portnoy is the founder and President of the Bloom Jewish Music Foundation, which dispenses funds each year for the composition and performance of new Jewish music. He is also widely acknowledged as the music scholar who “cracked the code” to Edward Elgar’s Enigma Variations.

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